Concertina Sketchbook Project

Back in February, I began a 6 week course with Karen Stamper on developing a concertina sketchbook. It was a journey of discovery, stretching my comfort at many points along the way, as I became immersed in a process and flow that was new to me.

At first, we filled the pages with marks, using pencils, inks, charcoal, pens and more. I so enjoyed playing with the ink, particularly when blowing on wet ink to create meandering lines. In the process of adding collage elements, I felt like I was able to start making the pages my own, especially when adding the cut circles.

Just beginning to add color. Surrounded by materials on the large work table.

The studio has never been as messy as it was during that project. The table was covered with every mark making tool I own. The floor was covered with the vast array of papers and collage possibilities… photos, magazines, maps, dress patterns, sheet music pages, and bags of the art papers collected over the years. I even found the texture boards and alternative brushes I had made years ago for my daughter’s elementary school class. I used the one with feathers to drag wispy lines of ink across the pages.

Then it came time to paint the marked up pages. Yay!! But before I began to paint, I searched for hidden compositions with my handy dandy cropping tool... an old mat, cut at the corner.

Adding the finishing touches to the first pages.

Once I realized I had been treating these sketchbook pages as if they were too precious, I chose a section, took a deep breath, and I was able to enjoy adding paint. I let go of the preciousness and got comfortable developing areas, redoing others, and covering up full sections. Some pages became pretty busy with additional collage elements and paint, while others were left fairly simple.

Since completing the concertina sketchbook, I’ve been continuing to play with the images, processes, and ideas that took shape on those pages, in order to get more out of this experience before moving on. Although it feels as if I’ve been on an adventure, traveling far from my way of working, I’ve had the opportunity to grow and expand my choices in the future. As I prepare to explore the new work that’s now tugging on my sleeve, I’m curious to see how the concertina sketchbook will end up influence my creative flow moving forward.

Cropped images from the completed pages for future inspiration.

You may also be interested in:
Re-Words Concertina
Concertina Sketchbooks

Art as Meditation

A couple of years ago, I saw a thread of conversation between artists on instagram on the subject of meditation. Most of the comments were in the same vain… they spoke about having trouble meditating and the inability to get a meditation practice going, stating one reason or another. I didn’t engage in the conversation at the time but it seemed clear they had a limited idea of what meditation could be.

As a long time meditator, my initial thought was that creating art in itself is, or could be, a form of meditation. Many meditation practices involve following the breath in order to bring you into the present moment while observing and letting go of thoughts as they arise. Those thoughts generally tend to carry you on a visit to the past or a journey into the future.

But when we create art we are doing so in the moment. With every brush stroke, every choice of color, texture, and use of materials, we are in the present moment. You often hear that the big gifts can be found in the process, rather than the end results or finished product. When we focus on the process we are in the now and it’s in the now that we find our joy and delight as artists. It’s not the finished artwork that keeps drawing us back to the creative process, it’s the act of creating that keeps artists engaged.

The process of creating art is an experience in the moment. So, in effect, it can easily be a meditative practice. In every part of that process, we have a choice of being fully present with our materials, breathing into the experience, and letting go of the world outside our studio space. Each moment of the art process is a gift and opportunity to be present with our developing creations, to observe the feelings that arise with each stage of that development, whether it be joy and delight, or frustration and angst.

When we experience the messy middle, it’s likely that our minds have wandered away from the here and now and carried us to thoughts or concerns of the finished piece. We may want to hold onto a part, or all, of what we’ve accomplished so far, without messing it up. Although that can take us out of the moment, being present with those feelings and observing our flow of thoughts, without getting caught in them, can become part of our process. This offers us greater awareness of how we internally process our creative flow.

Back in the 1980’s I did a full week intensive class in meditation. We were taught to focus on our breath. When thoughts came into mind, to label them “thinking,” letting them go, and then returning to the breath. In any given moment, an artist can shift from wherever the mind has wandered to being with their creation in the now. It is a dance we can have with our tools and materials, shifting back to the current brushstroke, or pencil mark, ink splatter, sculpted element, etc. Art can so easily be your meditation practice. And many are already engaged in that practice whether they have labeled it so, or not.

You may also be interested in:

Art: A Divine Connection
Morning Meditation Paintings
Meditation on Rain

The 12 Painting Meditations

“Meditations No. 12” 4-1/2” x 6”. Mixed media on paper

The painted Meditations were inspired by the peace and joy I experienced when working on the Morning Meditation Paintings. I wanted more of those feelings and I wasn’t ready for it to end. So, I decided to change it up a bit and create a series of twelve small paintings that would start out as a group… and continue within a meditation process.

“Meditations No. 3” 4-1/2” x 6”. Mixed media on paper

The Process: First, I hung twelve 4-1/2” x 6” pieces of watercolor paper together on the closet door in four rows of three. I began developing the collection by writing mantras and quotes on each in pencil, then scribbling on each with charcoal, a pencil, and then a pen and worked on them in order, from the top left and across, one row at a time. Next, I followed up with a bit of acrylics, using a very limited palette.

“Meditations No. 2” in process

Working in the same order, I began completing one at a time as a morning meditation… adding bits of additional color, marks, and collage shapes. Stitching was added to most but not all, allowing the strands to hang down below the bottom of the paintings.

There were a number of times when I found it difficult to add the shapes and stitching to an individual piece. This was when I grew to love the background and didn’t want to cover it up. But in each of these cases, it turned out to be a more interesting image once the additions were made.

“Meditations No. 8” 4-1/2” x 6”. Mixed media on paper

Working on the Meditation paintings has been an enjoyable process. It has provided me with the gifts of simplicity and peace at a time when the world outside of the studio seemed complex and stressful. (I began this series in mid January 2021.) There was a wonderful feeling of simplicity in choosing the same palette and collection of cut shapes for each of these pieces.

The 12 Meditations hanging in a group

Now, they are likely to continue hanging together on the door for awhile. This series adds a sense of calm to the studio and makes me smile to see them.

You may also be interested in:
Morning Meditation Paintings
Art as Meditation

PVAC Closing Reception

3 from the Portals of Joy Series (showing in the PVAC Exhibit)

The Members Exhibit of the Pajaro Valley Arts Center closes this Sunday, March 21st. So, there are a few more days to view the work online. To view the slide show of over 100 pieces of wonderful local artwork, CLICK HERE.

And there will be a Closing Reception via Zoom on Sunday, March 21st at 2pm Pacific Time. You are invited to attend. To access more information and the Zoom link, CLICK HERE.

Meditation on Rain

A section of one of the Morning Meditation Paintings (No. 10)

I was in the middle of meditating (after waking up way too early) when the rain began to come down so powerfully hard and loud. I had just been in that place within me where I often find myself… surrounded by the landscape yet above the landscape, unfettered by gravity, rising above but somehow merged with the whole of oneness energy. A peaceful, whole, safe, oneness.

Then it began to pour and I had a momentary question that arose… of being with the sound of the rain or going back to where I was. The answer was, the sound is the now, in this moment. The earlier moments were in that oneness but now the whole was in the sound. The sound as a sound without meaning or expectation. Can I separate the sound of the rain from my years of understanding of what that sound means? Can I separate the sound from the visuals I carry of what is happening outside the room’s French doors… on the deck? On the roof? Am I able to just be with the sound without the anticipation of the raindrops to come immediately after this very moment of sound? And the next? Am I able to experience this moment without my knowledge of what rain is, the benefits of what it can do for the earth, and separate from my personal history with rain?

There was nothing to think of, to understand, to know about the rain except… In this moment it just is! Then the breath, the movement of my abdomen, and the sound of the rain merged into the moment.  The sound was no longer separate but part of the whole of the now. Then an awareness of the feeling of the cloth from my shirt on my belly, at the furthest point of the outbreath, became part of the mix.

You may be interested in reading about the Morning Meditation Paintings.

Morning Meditation Paintings

“Morning Meditation No. 1” 5-1/2” x 6”. Mixed media in sketchbook

A couple of months ago I began a Morning Meditation painting practice. This quickly became my favorite way to start the day, as it filled me with a wonderful sense of peace and a lightness of being. Each session became a vehicle for tuning my awareness (aka mindfulness). This practice is now something I am continuing as a gift to myself.

“Morning Meditation No. 5” 5-1/2” x 6”. Mixed media in sketchbook

The original focus was on simplicity and flow… working first thing in the morning, as a meditative process, mostly with background music, sometimes in silence. The process is the focus, not whether I liked the piece or not, not whether it feels finished or not.

THE PROCESS: Starting with a limited palette of acrylics (black, white, and a premixed blue-green). Adding some other bits of color and scribbles with pencil and colored pencil. Including collaged paper shapes because they happened to be scattered on the work table from prior sketchbook paintings. And… Since the sewing machine was on the nearby table, stitches were added to some of the paintings when it felt right, and because… why not?

“Morning Meditation No. 13” 6” x 8-1/4”. Mixed media on paper

I have so appreciated the quiet color palette on these pieces, especially after the fairly loud year we had in 2020 and the tumultuous beginning to 2021. I felt the need to tone things down for a bit, and the subtle touches of color add to the peaceful experience. It’s likely more color will be added as I continue to produce these pieces (or maybe not).

I have embraced the meditative painting process. In fact, just thinking of my morning experiences, gives me a wonderful feeling of Ahhhhh! I feel as though these painting meditations are carrying me forward towards the ME I am becoming. There seems to be an internal process taking place and a preparation at work. And… my love of the process has me fully committed and engaged.

“Morning Meditation No. 4” 5-1/2” x 6”. Mixed media in sketchbook

“Morning Meditation No. 2” 5-1/2” x 6”. Mixed media in sketchbook

You may also be interested in Love: a Morning Practice or Joy: a Morning Ritual.

A Process Story

“Ennobled” 12” x 12” acrylic, papers, pencil on canvas

The experience of working on “Ennobled,” the 5th canvas in the Portals of Joy series, was a bit like maneuvering a boulder up an incline. All the while, I was able to experience these challenges with confidence and determination. It became an excellent exercise in creating and recreating, making changes, letting go and moving on.

“Ennobled” in process; initial color palette

I began the painting with a color palette that I found attractive but, it just wasn’t quite me. Once on the canvas it seemed goofy, like a Halloween candy wrapper. So I kept altering colors, one at a time, and adding textured papers to cover up some of the colors and create new ones. I found the process enjoyable, without frustration. I was able to draw on my confidence that each alteration would bring me closer to feeling as if I had made it my own. What a time consuming process it was! If I hadn’t been as focused on the unfolding experience of the process, I would not have been able to remain in the joy of creating.

“Ennobled” in process; at the start

Occasionally, a painting doesn’t flow as smoothly. Each time I find myself in that space, I have the gift of letting go and immersing myself in the painting process. I allow it to take as long as it takes, with no expectations and the willingness to continue to apply layer over layer, repainting areas one moment at a time. And with each alteration, I come closer to an image that will look back at me and say, “Ahhh… this is it.”

“Integral Flow” 12” x 12” acrylic, papers, pencil on canvas

Once I had completed “Ennobled", I shifted my focus to the newly started 6th painting in the Portals of Joy series, titled “Integral Flow.” The experience of painting this one was nothing like the last one. The process flowed easily from beginning to end. Of course, I chose a color palette I was comfortable with from the start. And maybe that attributed to the feeling of lightness that surrounded the painting process.

I experienced joy as I created both of these two paintings but that experience was so very different… neither better than the other. And I am grateful for the wonderful diversity of both.

You may be interested in a recent post: New Series: Portals of Joy

Turning Points

“Silhouessence - Vista” 14” x 18” Oils and recessed photo on canvas and board, 2005

Last year during the 21 Days in My Art World challenge we were asked to share a Turning Point in our art life. I wrote the following:

How I became a blank canvas and birthed a new series…
I entered 2016 with the feeling of unlimited possibilities and the ability to create what I wanted... But first I had to figure out what that was. And it seemed, the best way to start was to clear out my inner closet of the creative ideas I'd been storing for years. During several days at home alone, I released all the creative projects, ideas, and expectations I was carrying around by brainstorming them onto the large newsprint sheets I had hung all over the living room... each sheet for a different category. I also had lists of successes and achievements, affirmations and more. That experience opened the door to new influences, experiences, and finding the yards of raw canvas I had bought and stored years before. It all came together for the creation of the Transcriptions series and a new way of working and creating. I am so grateful for those days back in February 2016.

But thoughts on the subject didn’t end with that challenge prompt… Shortly after, I had the good fortune of connecting with Helen Rebello who welcomed me to be a guest on her Turning Points Project podcast. That got me thinking of the many Turning Points in my life and the effects they have had on the trajectory of my art and life.

This week, as part of the current 21 Day challenge, I am sharing another Turning Point. I’ve chosen to write about the one that was probably the most difficult for me. One that many of you already know… the point in which I needed to give up oil painting after a decade’s long love affair with those luscious paints.

“Silhouessence - Vista” detail of recessed photo

In 2005, while preparing for the annual Santa Cruz County Open Studio Tour, it became increasingly difficult for me to breathe while working on a new series of paintings. I was in the process of developing the Silhouessence series, in which each painting displayed a photo of a silhouetted landscape recessed within the surface of the canvas. The outer painting became a reflection of the photo within. As I worked on them, my ability to breathe became more and more impacted. I tried moving from the studio into the dining room where I could open the windows in all four directions. That didn’t help and I began to feel sick. I was determined to finish the paintings, so I then moved the process outdoors and quickly learned that spending any more than twenty minutes at a time left me in bad shape. Of course, I was determined to get to a point where the paintings could look complete (and be photographed) even if I knew they were unfinished. I achieved my goal but the process left me physically recuperating for weeks, and emotionally processing the loss of oils for years. I had become a painter who could no longer paint.

Although I thoroughly disliked acrylics, eventually I gave in and began to play with soft body acrylics. I needed something I was passionate about to inspire a new series. Music was the key (pun intended). And it was with the Music Series that I got back into painting. I had fun with the series even though the acrylics were not as lovely to use as oils. But they did inspire a brighter and bolder palette.

Then later on, with the Transcriptions Series, I finally returned home to the feeling of flow, energy, and love for painting that I used to have years ago. And as a gift to my soul, I began finishing off an occasional painting by using oil pastels for the last touch of color.

Now I am enjoying the playful use of acrylics and mixed media on paper and on canvas. I’ve found a whole new level of joy in exploring new ideas on sketchbook pages with the paints. And I’m delighted when I find myself using similar techniques with the acrylics that I used years ago in my oil painting days.

The gift of gratitude: I’m sure that without the loss of oils, I never would have published The Gratitude Habit journals. I so appreciate the experience of producing these two books and the lessons learned along the way. It allowed me to take an idea and bring it to life in a manner so very different than with a painting and so much more public.

Life offers up twists and turns, bumps and jumps that alter our trajectory and become Turning Points in our lives. They take us to places we might not have travelled and open the door to lessons and new experiences that can enrich our journey. You may want to reflect on the Turning Points in your own life.

Painting Series: Portals of Joy

“Scatter Joy” 12” x 12” acrylic, papers, pencil on canvas

After filling many sketchbook pages with circles and grids, I finally admitted that my artwork was moving in a new direction. I needed to explore the use of geometric shapes and to get back to spending most of my time working on canvas. First I had to let go of my attachment to the Transcriptions series and allow a new creative flow to take shape. Once I explored the symbolism of this new focus, I was able to assign meaning to the paintings I would be creating and move forward with a new series. At the same time, joy had become more and more of a major influence in my life. This is how the Portals of Joy series came into being.

“Hooked on a Feeling” 12” x 12” acrylic, papers, pencil on canvas

This series is a reaction to the year we have been experiencing and the times we now live in. These paintings are created in joy, with a focus on joy, and with the intention of putting more joy out into a world at a time when it’s needed. The paintings each have a quote about Joy embedded into the background of the design, under the paint, present yet not readable… as JOY seems to be more often held under the surface this year, although still present in our lives. The grid of colors represents us as individuals but part of the whole. And the presence of the circular shape represents the wholeness, oneness, and unity that we all share, beyond the illusion of what we are seeing in the outside world.

“Uplifted” 12” x 12” acrylic, papers, pencil on canvas

“Ennobled” 12” x 12” acrylic, papers, pencil on canvas

“Third Story” 12” x 12” acrylic, papers, pencil on canvas

“Integral Flow” 12” x 12” acrylic, papers, pencil on canvas

The Portals of Joy paintings will be available here at the Website on December 5th. Prints and products of this series are currently available at Pixels.com

You may be interested in a recent post… Joy: a Morning Practice
and for more on these paintings… A Process Story

Gratitude in any Moment

2020 is a year when goals have been disrupted and plans have been tossed. The trajectory of our lives has either placed us on hold, offered up challenges, or altered our life’s course. Most of us are not the same today as we were when the year began. No matter what our personal difficulties or how numerous the challenges, there is comfort in reflecting on all that we do have and all that is right in our lives. You can shine the spotlight of Gratitude in any direction and find something to be thankful for.

Gratitude is the Super Power that each of us possess. And in a year such as this, it is vital for our well-being to have a tool that helps us to feel uplifted in any moment we choose.

• Gratitude is the ability to see what is right before you - it is a feeling, an experience in the here and now, in this very moment. And that feeling, when viewed through the heart, turns up the power of gratitude within us.

• Gratitude is a NOW experience. It resides in our feelings of this present moment, without the tug of the past or the focus on what the future may hold.

• Just as the sunlight streams through the leaves of a tree at just that exact angle, in that precise moment, gratitude happens in the moment as well.

Gratitude is not only a way of connecting us to what is good in our lives, but it creates a link to the present through an experience of the heart.

Wishing you the gift of embracing the many moments of heartfelt gratitude today and everyday.

Joy: a Morning Ritual

Imagine what it would feel like to begin your day by embracing your inner joy. What a great way to jump start a day. And it’s quite simple… you’ve just awakened, eyes may not yet be ready to open, and you focus your thoughts on something or someone that brings you joy, lights you up, and makes you feel expansive.

It could be anything… a thought of spending time with someone who makes you smile, a trip you have planned or a joy-filled memory, an activity you enjoy or an idea for a project you would love to tackle, or maybe something new you’ve been wanting to learn or experience. No matter what you choose for your focus, it’s a method of switching on that sense of delight.

Once you have your point of focus, experience the joy associated with it and let the feeling fill you up. Then imagine in your mind’s eye, doing a little inner dance and maybe you just can’t help physically moving to your inner rhythm.

This is exactly what I began doing, first thing in the morning, this summer. And I can’t help but think that in doing so, every cell in my being became lit up and infused with a smile. There’s an effervescence that comes with it and a feeling of expansion, as if I am filled with light bubbles. I’m finding this a great way to launch a day!

Have you ever danced for the pure joy of it in a given moment… just you, expressing your delight right then and there? If not, I highly recommend it. Your whole body gets into the act of feeling that joy and it becomes an active exuberance.

Don’t wait for someone or something to light up your life… do it for yourself.

You may also be interested in Love: a Morning Practice.

Working in a Series

I love to work in a series, to watch an idea or concept develop from one painting to the next as I explore the variations on a theme. It gives me a creative focus in which to grow my artwork and myself.

Not only do I find a theme to develop throughout the series, but I begin with a framework or recipe of elements that becomes the foundation for each of the pieces. As a series evolves, an organic process unfolds, with each painting being a stepping stone to the next as I explore new ways of expressing the blueprint they have in common.

Ancient Wisdom Minis - in process

The chosen focus needs to be something I want to immerse myself in and wish to elevate. In the Transcriptions series, it was ancient books and prayers. The Ancient Wisdom Minis, highlighted the words of Kabir, poet and mystic. The Windowframes series was a reflection of the beauty in aging. And now, the Portals of Joy series allows me to spend my days focused on shape and color as I elevate joy in a world that could use more joyful expressions.

2020 Reframed

“2020 Reframed" 24" x 24" Acrylic, cloth, papers, strings, and threads on canvas.

“2020 Reframed” has been accepted into the MAH’s upcoming exhibit.

Exhibit: In These Uncertain Times
at the Santa Cruz Museum of Art and History (MAH)
beginning on January 15, 2021

2020 is no ordinary year… filled with layers of challenges and unlike any we’ve experienced. Early in the year, I started to notice an unusual presence of RE-WORDS showing up in my life and in the world around me. I am referring to an abundance of words beginning with the letters RE. (Retreat, rediscover, recreate, reinvent, recover...) It’s been a year in which we’ve all had reasons to RE-vise our plans, RE-assess our priorities, and RE-define our lives. We have waited for businesses to RE-open and wondered if and when we might RE-turn to “normal.”

"2020 Reframed” in process

Back in May, I created a RE-WORDS concertina sketchbook, an eight page book built to highlight these words. Once it was completed, I felt a strong need to continue working on this project, but in a larger format. So I printed my collection of re-words in different fonts and sizes and began constructing a painting. “2020 Reframed” is loaded with words appearing on layers and strips of raw canvas. The prepared layers have been stitched together and are sewn onto a 24” x 24” stretched canvas. The loose threads and textures further represent a time in which our personal and societal threads have been laid bare.

Here are some details of the completed painting:

AND not long after the completion of this painting, a new word emerged: RE-population. It’s used when fire evacuees are returned to their homes. (Luckier than many, we are very thankful to have had a home to return to.)

A Week with Circles

During the past week I completed 6 small circle paintings. I wanted these to serve as a continuation of the themes and images that developed during the sketchbook challenge. As I began this series, my focus was on the concepts of wholeness and unity represented by the circular form.

I split the sheet into six segments for six individual paintings to be completed one a day. The color palette was to stay pretty much the same throughout. Although it was unplanned, their proximity to one another had an influence on the adjacent pieces.

I want to continue this exploration on paper before shifting to canvas.

Sketchbook Challenge: Week 4

During the last week of the 30 Day Sketchbook Challenge, I had fun playing with shapes and color, exploring new ideas, and continuing to develop concepts from prior pages. One of the pages was inspired by an Andy Goldsworthy photograph and another by a historical event. I experimented with mark making and new textural methods, while filling the pages with papers, acrylics, and all types of pencils (drawing pencils, watercolor pencils, charcoal pencil, colored pencils).

Day 22/30

Day 23/30

Day 27/30

Day 26/30

The piece I created on Day 26 was inspired by the Tulsa Race Massacre. The massacre has been referenced quite a bit recently so I decided to research it. And I couldn’t let it go. I continued to read a bit more each day and finally had to paint something on the subject. The atrocities of that event took place in 1921, in the wealthy black neighborhood of Greenwood. Hundreds of people were killed (estimates vary), and many are believed to be buried in mass graves. 35 square blocks were burned to the ground, leaving 10,000 homeless. I won’t share more here, now, but I do recommend you learn about “the single worst incident of racial violence in American history. “

On Day 28, I wanted to do something different and just be messier… a thoroughly enjoyable process. The idea of dedicating a week of sketchbook play to just messy pages sounds like a great exercise for me.

Day 28/30

Day 24/30

Day 25/30

As I neared the end of the challenge, I felt as if I had to make the most of the last few entries. But the reality is, my sketchbook play does not end with this challenge. I have another 30 pages left in this book and other sketchbooks on hand. I am likely to experiment more in the days ahead and finally get back to the painting I began weeks ago.

Day 29/30

Day 30/30

I have so enjoyed this challenge and the opportunity to develop a great relationship with sketchbooking. It will be interesting to see how this experience helps to shape the work I create in the coming weeks and months. I will be considering the ah-ha’s that showed up during these thirty days, the concepts I want to get back to, and the list of ideas I didn’t get to yet.

I am so very thankful for Cheryl Taves, and for all her beautifully thoughtful sharing, her time, and the effort she put into hosting this fabulous sketchbook journey. It has been 30 days filled with riches.

More posts from the 30 Day Sketchbook Challenge:
Week 1
Week 2
Week 3

Sketchbook Challenge: Week 3

Something happened , something shifted as I began the third week of the 30 Day Sketchbook challenge. Up until this week, I was intrigued by the circular cutouts and felt drawn to using them on the pages of this book. But suddenly, as I developed the Day 15 image, the power of these shapes rose to the surface and my use of them became encircled in meaning.

Day 15/30

So in week 3, I’ve continued to play with this circular shape and reflect on my connection to it, meanwhile feeling as if I am also taking shape.

And now for the rest of the week…
(all images can be found below)

Day 16: “Black and Blue” was a reaction to Black Out Tuesday (the day before) and the presence of black squares on many and most Instagram feeds, in solidarity of Black Lives Matter and the events of this week.

Day 17: An image that didn’t develop as I thought it would, providing the exercise in letting go, learning, exploring, and moving forward to the next page.

Day 18: Playing with a variation on an earlier page with a similar color palette and elements but with a different layout and design. I love exploring variations on a theme!

Day 19: “ A Complex Society” is a variation on the Day 16 image. During these few weeks, I’ve been playing with new ideas, shapes, and colors, with a need to revisit prior pages and create variations on those images.

Day 19/30

Day 16/30

 Day 20: This was an effort to experiment with some mark making. I’m pretty shy and reserved when it comes to adding marks to a painting. So, I began by filling the page with marks and then painting a thin layer over it. After adding more marks on top of the paint, I ended up covering most of them up with paint, leaving just a bit showing.

Day 17/30

Day 20/30

Day 21: Shortly before this sketchbook challenge, I opened my new sketchbook and scribbled some stream of consciousness words in pencil to form a paragraph. My idea was to cover it with papers and paint but allow some of it to show through. Then during the challenge, I got caught up in using the clean fresh pages and didn’t get back to it... until the 21st day of the challenge. The added pencil lines are my attempt at mark making. I was much more comfortable with these not too bold lines.

Day 21/30

Day 18/30

As the week ended, I reflected on the experiences of these days I’m spending with my sketchbook and where it has already taken me. And I wondered what would unfold in the coming week, both in the world and in my sketchbook.

More posts from the 30 Day Sketchbook Challenge:
Week 1
Week 2
Week 4

Sketchbook Challenge: Week 2

During the second week of the 30 Day Sketchbook Challenge, I continued to find similar and differing ways to highlight the circular shape that’s become the primary element on these pages.

Day 8/30

Day 9/30

Day 13/30

It seems that each painted image in this sketchbook, ends up calling on me to return and create one or more variations on that idea or concept. That’s no surprise. I love working within a series of paintings, with each piece a stepping stone to the next. This sketchbook journey has become something of a dance, steps forwards and backwards, 1-2-3. Each time I satisfy my need for revisiting a completed page, I find myself focused on another to revisit.

Day 10/30

Day 12/30

This week, as I explored the circular theme, I played with textures and layers, strings and threads, and various color palettes. I had fun scraping paint with a serrated knife, adding raw canvas, and limiting the colors on some of the pages. I’ve found delight in placing one or more red elements (like a dot or circle) for a pop of color.

Day 12/30

Day 14/30

Each day has been a new creative adventure that I look forward to with wonder. I suspect I haven’t finished playing with the circular shape and I would expect them to continue showing up in the week ahead.

More posts from the 30 Day Sketchbook Challenge:
Week 1
Week 3
Week 4

Sketchbook Challenge: Week 1

A couple of weeks ago, I decided to join in on a 30 Day Sketchbook Challenge. As I watched other artists beginning to get involved, I kept getting a nudge to play in my sketchbook too!! So with a fairly new 6” x 6” sketchbook, I began creating a page a day. I’m having fun and loving the sense of wonder in what I will come up with next as I use a variety of materials and tools. So far, I’ve played with cut paper, ink, chalk, charcoal pencil, crayon, pencils, acrylic, watercolor pencils, and thread.

Day 1/30

Day 2/30

Day 5/30

In the past, sketchbooks were something I used to brainstorm ideas for a new painting or series, for morning drawing meditations, and to express dreams or concepts. I don’t think I’ve ever used a sketchbook to just play. So as I began this challenge, I was stepping out of my norm and very excited to do so.

I have been loving the process of working in a sketchbook each day. I have found that in the pages of this small book, I’ve been working past the point of ‘done-ness’, continuing to add to what I have. Pushing it beyond and then a bit further. It’s been a wonderful exercise. And being a sketchbook page, it’s easier to take risks. 

Day 4/30

Day 6/30

Day 7/30

In this week of daily sketchbook entries, two elements have presented themselves… the open circle and the grid. I’ve become interested in exploring what I might create with them in the future, individually and in combination. My mind has been flooded with ideas of images to explore on these pages. Each day I wonder, “What creative experiences will be present in the adventure of producing the next page.”

Much thanks to Cheryl Taves for creating this fabulous challenge. I am thrilled to be a part of it. To view the many other sketchbook entries for this challenge visit, #insightcreative30daychallenge

More posts from the 30 Day Sketchbook Challenge:
Week 2
Week 3
Week 4

Re-Words Concertina

Re-Word Concertina Sketchbook

Here’s a look at my recently completed RE-WORDS concertina sketchbook, produced on canvas. This book is centered around the theme of RE-Words. Early in the year, my 2020 seemed to be one of redo, rework, recreate, and recover. As 2020 has developed into a year like no other, more and more words keep showing up. (reopen, reconnect, retreat, revise, restart)

Pages 1 & 2 of Re-Word Concertina

In creating this book, I had a few objectives in mind: to create two page spreads rather than individual pages, to combine circular elements with linear shapes, and to spread the RE-WORDS throughout. And most importantly, to create a concertina sketchbook on raw canvas with textures, threads, and frayed edges. (I’ve used cloth, papers, ink, acrylic, with threads and text on raw canvas for this book.)

Pages 3 & 4 of Re-Word Concertina

The process of working on the book became an interesting journey and a means of processing all that was happening out in the world, as I sheltered in place in my studio.

During 2020:

• I’ve had to REVISE my plans for the year.

• I’m REASSESSING everything.

• I’ve spent time RECREATING work from the past.

• I’m RECOVERING from the losses experienced in the past year.

• I am RE-IMAGINING what life may be like moving forward.

• I’ve been REDIRECTING my creative energies and focus.

• I’m REMAKING my life under new circumstances.

• I can’t help but REFLECT on where I’ve been in the past few months, the state of the world now, and how it compares to different times, in different ages.

• I question what of the past is best to let go of and what we will be able to RECLAIM in the future.

• I’m REALIZING that this book will not satisfy my need to explore these words. I’ve already begun working on a Re-Words painting.

• I wonder what the effects will be once businesses REOPEN.

• What will the tapestry of life look like once we RE-THREAD it?

• How soon will I be comfortable to really RECONNECT with friends and family?

• RESTART is the first word appearing on page one and the last word on the final page of the book. Each day and each project becomes a RESTART.

• As I look towards the future and the path forward, after these days of sheltered in place, we will need to REBOOT our lives, RESTORE what is possible and what makes sense, and REBOUND as best as we can... hopefully, in a kind, compassionate, and healthy way.

Pages 5 & 6 of Re-Word Concertina

A concertina book can become a mini series of pieces, all connected as one attached progression. And I love working in a series and I’ve loved working on this book. I can definitely see myself doing more books in the future, on raw canvas. This is where I’m at home... with the textures, threads, and the frayed edges of the canvas.

I’m sure most of you have had your own 2020 reasons to revise, reassess, reflect, etc. I wish you health and safety and the ability to experience the future as a fresh and positive RESTART.

Pages 7 & 8 of Re-Word Concertina

Above I’ve shown them as the two page spreads… And here they are as individual pages, the cover and all 8 pages:

My Interview: Turning Point Project

Back in February (when our world was so much different than it has become), I had the joy and privilege of sharing my turning point story with the fabulous Helen Rebello on the Turning Point Project podcast. And I’m excited to share that the interview is available to listen to! In this episode, I talk about the turning points that helped shape my life journey and how these steps set a new course within me, within my art, and within my creative expression. I'd love you to listen in and let me know what personal insights it sparks in you about your own turning points.

To listen: CLICK HERE to go directly to the interview page, and then scroll down. OR find it on one of these podcast apps... APPLE ... SPOTIFY ... STITCHER. (April 20th episode, Becoming a Blank Canvas)

And check out the many other episodes on the Turning Point Project. Helen has put together a great collection of interviews. It’s easy to see how much heart, insights, and passion she puts into her podcast and into everything she does. I feel grateful to have had the opportunity to meet her, to share our stories with one another, and to be able to reflect on the many turning points in my life.