Getting Started With Sketchbooks

Sketchbooks can become a safe haven for artists and creatives, a place to explore their innermost thoughts and feelings, and any wild ideas. They are a sanctuary of pure freedom where there are no rules to follow. A sketchbook provides a space for trying out new techniques, experimenting with different materials, and exploring any spark of creative inspiration.

In order to maintain a free flow of self expression, avoid any tendency to view the pages as precious. This means not putting pressure on yourself to create perfect, polished pieces of art. Instead, use your sketchbook as a place to play and experiment, releasing any internal judgments or criticism. Your sketchbook is your personal space. Make it your own. And nobody else ever has to see it if you don't want them to.

The development of a sketchbook is a process, YOUR process, which will evolve over time. So be present in the now and invite your inner kid to play with you. Scribble, draw, paint, collage, or do whatever makes your heart flutter.

To get started, ask yourself what materials you enjoy using or would like to try. Consider what types of marks make you feel good, and what colors make your soul sing. Also, think about what "crazy" ideas you could have for your sketchbook that would make you giggle within.

When it comes to choosing a sketchbook, there are many options available. Some people prefer spiral-bound sketchbooks with perforated pages, while others may opt for a bound sketchbook with thicker paper. Choose a sketchbook that feels comfortable for you and suits your creative needs. A local art supply store is a great place to explore the many sizes and options available.

Here are some of the sketchbooks that I have enjoyed using over the past few years:

Bee Paper Company Pads

Bee Paper Company Super Deluxe Mixed Media Pads: This handles any media I’ve used, including acrylic paints and I’ve even added stitching to many of the pages. It has acid-free paper and the cover is a heavy duty cardboard. I keep coming back for more.

The Bee Company makes a wide variety of pads, including: Bee Paper Co-Mo Heavyweight Sketch Paper Pad which you might prefer… acid-free and for use with pencil, pen and ink, crayon, chalk, charcoal, and light washes.

Canson Mixed Media Book XL

Canson Mixed Media Book XL: This is a hard covered, wire-bound sketchbook with heavyweight paper that can handle a variety of wet and dry media. I’m a real fan of these books. In fact I am planning to buy a new sketchbook for drawing and I want it to be a Canson.

Two concertina sketchbooks with a different number of pages

Hahnemuhle Zig Zag Sketch Book A5: This is an accordion style pad with 18 sheets of acid free, watercolor paper. I bought it by accident when I really needed a concertina book with many more pages. But I was so glad to have this sketchbook with much fewer pages later on to play with inks, collage, and acrylics.

What I was wanting at the time, was the Seawhite Concertina with 35 pages on each side which would give me a total of 70 pages. I did manage to find one on Ebay, in the size I was looking for (around 8” x 5-1/4”). Amazon has a larger sized book (8.3” x 11.7”) HERE.

Feel free to send me any questions you may have and enjoy your sketchbook explorations.

2021 Reflections

Cropped images from the concertina sketchbook pages

As I write this, the new year is just hours away. For the past couple of weeks I’ve been reflecting on all that happened (and didn’t happen) in 2021… and considering potential plans and intentions for 2022.

Simplicity pages with ink, papers, cloth, and acrylic on paper.

Last year, I entered 2021 with several ideas for the creative projects I was excited to delve into. 2020 had felt like a slow, never ending experience. And although I had lots to show for it, after spending an abundance of time immersed in exploration, I longed to get back to “my artwork” and the materials and paintings that fed my soul. I had an idea of what that looked like and what that meant. What I didn’t anticipate was another year of exploration and a concertina sketchbook experience that would change the trajectory of my year in art.

I may set artistic intentions, but I learned long ago that my greatest intention is to go with the natural flow of my creative spirit. I know that one artistic adventure leads to the next and they each become stepping stones to all that’s created in the future. Allowing that flow is probably at the foundation of all of my work. It’s like being carried forward with limited vision of where I am headed but also infused with ideas and imagination. The most important place to be is in the here and now, fully immersed in the painting project of the moment… because what I’m doing now is a building block for what will emerge next… and next… and next.

Cropped images of the Elements series.

So, the process of exploring the pages of the concertina sketchbook project carried me into a whole new world of exploration. And although I will enter 2022 with a list of potential painting projects, I am excited to see where the creative flow will lead and what will unfold within the next 12 months in the studio.

Wishing you a Happy New Year
and a fabulous
life adventure that
unfolds in beautiful ways
for you in the coming year.

You may also be interested in:
Concertina Sketchbook Project
Inspired by Concertina Sketchbook Pages
Inspired by Concertina Sketchbook Pages - Part 2
Series of Transition

Inspired by Concertina Sketchbook Pages - Part 2

Concertina Sketchbook Pages

In art as in life, each step I take leads to the next. The Concertina Sketchbook course I took led to a series of artworks on paper and on canvas. Then the process I used to create the first layer of a few of the canvas paintings inspired the concertina sketchbook I’m sharing here today.

Concertina Sketchbook Pages

I had fun filling the pages of this small concertina with ink drips, collaged circles, sheet music, raw canvas and dress pattern paper. Although I originally thought I might add some acrylic paint, I decided to leave the pages with a more minimalist look. So, no paint. I did decide to add some asemic pencil writing in just a couple of places. The pencil was chosen to avoid the permanence of a pen. I ended up so happy with the gentle softness of the pencil marks and how they added to those pages.

Now, I want to create more like what I have here and find a way of merging this concept with a new series I’ve had planned.

You may also be interested in:
Inspired by Concertina Sketchbook Pages
Concertina Sketchbook Pages

Concertina Sketchbook Pages

Work in Progress, the inspiration (on canvas) for this Concertina Sketchbook

Concertina Sketchbook Project

Back in February, I began a 6 week course with Karen Stamper on developing a concertina sketchbook. It was a journey of discovery, stretching my comfort at many points along the way, as I became immersed in a process and flow that was new to me.

At first, we filled the pages with marks, using pencils, inks, charcoal, pens and more. I so enjoyed playing with the ink, particularly when blowing on wet ink to create meandering lines. In the process of adding collage elements, I felt like I was able to start making the pages my own, especially when adding the cut circles.

Just beginning to add color. Surrounded by materials on the large work table.

The studio has never been as messy as it was during that project. The table was covered with every mark making tool I own. The floor was covered with the vast array of papers and collage possibilities… photos, magazines, maps, dress patterns, sheet music pages, and bags of the art papers collected over the years. I even found the texture boards and alternative brushes I had made years ago for my daughter’s elementary school class. I used the one with feathers to drag wispy lines of ink across the pages.

Then it came time to paint the marked up pages. Yay!! But before I began to paint, I searched for hidden compositions with my handy dandy cropping tool... an old mat, cut at the corner.

Adding the finishing touches to the first pages.

Once I realized I had been treating these sketchbook pages as if they were too precious, I chose a section, took a deep breath, and I was able to enjoy adding paint. I let go of the preciousness and got comfortable developing areas, redoing others, and covering up full sections. Some pages became pretty busy with additional collage elements and paint, while others were left fairly simple.

Since completing the concertina sketchbook, I’ve been continuing to play with the images, processes, and ideas that took shape on those pages, in order to get more out of this experience before moving on. Although it feels as if I’ve been on an adventure, traveling far from my way of working, I’ve had the opportunity to grow and expand my choices in the future. As I prepare to explore the new work that’s now tugging on my sleeve, I’m curious to see how the concertina sketchbook will end up influence my creative flow moving forward.

Cropped images from the completed pages for future inspiration.

You may also be interested in:
Re-Words Concertina
Concertina Sketchbooks

Re-Words Concertina

Re-Word Concertina Sketchbook

Here’s a look at my recently completed RE-WORDS concertina sketchbook, produced on canvas. This book is centered around the theme of RE-Words. Early in the year, my 2020 seemed to be one of redo, rework, recreate, and recover. As 2020 has developed into a year like no other, more and more words keep showing up. (reopen, reconnect, retreat, revise, restart)

Pages 1 & 2 of Re-Word Concertina

In creating this book, I had a few objectives in mind: to create two page spreads rather than individual pages, to combine circular elements with linear shapes, and to spread the RE-WORDS throughout. And most importantly, to create a concertina sketchbook on raw canvas with textures, threads, and frayed edges. (I’ve used cloth, papers, ink, acrylic, with threads and text on raw canvas for this book.)

Pages 3 & 4 of Re-Word Concertina

The process of working on the book became an interesting journey and a means of processing all that was happening out in the world, as I sheltered in place in my studio.

During 2020:

• I’ve had to REVISE my plans for the year.

• I’m REASSESSING everything.

• I’ve spent time RECREATING work from the past.

• I’m RECOVERING from the losses experienced in the past year.

• I am RE-IMAGINING what life may be like moving forward.

• I’ve been REDIRECTING my creative energies and focus.

• I’m REMAKING my life under new circumstances.

• I can’t help but REFLECT on where I’ve been in the past few months, the state of the world now, and how it compares to different times, in different ages.

• I question what of the past is best to let go of and what we will be able to RECLAIM in the future.

• I’m REALIZING that this book will not satisfy my need to explore these words. I’ve already begun working on a Re-Words painting.

• I wonder what the effects will be once businesses REOPEN.

• What will the tapestry of life look like once we RE-THREAD it?

• How soon will I be comfortable to really RECONNECT with friends and family?

• RESTART is the first word appearing on page one and the last word on the final page of the book. Each day and each project becomes a RESTART.

• As I look towards the future and the path forward, after these days of sheltered in place, we will need to REBOOT our lives, RESTORE what is possible and what makes sense, and REBOUND as best as we can... hopefully, in a kind, compassionate, and healthy way.

Pages 5 & 6 of Re-Word Concertina

A concertina book can become a mini series of pieces, all connected as one attached progression. And I love working in a series and I’ve loved working on this book. I can definitely see myself doing more books in the future, on raw canvas. This is where I’m at home... with the textures, threads, and the frayed edges of the canvas.

I’m sure most of you have had your own 2020 reasons to revise, reassess, reflect, etc. I wish you health and safety and the ability to experience the future as a fresh and positive RESTART.

Pages 7 & 8 of Re-Word Concertina

Above I’ve shown them as the two page spreads… And here they are as individual pages, the cover and all 8 pages:

Concertina Sketchbooks

For the past couple of months, and up until last week, I was unable to paint. I continued to feel a strong desire to create… but had absolutely no oomph to continue work on any of my paintings or projects. I found myself in an unfamiliar position… unable to pick up a paintbrush. That’s when I joined the Concertina Retreat, hosted by Suzie Chaney. It was one of the many artist challenges popping up on Instagram as the quarantine days took hold throughout the planet. So, I entered the world of concertina sketchbooks.

For those unfamiliar with a concertina sketchbook: all the pages are connected in one long strip that can fold up like an accordion into a book.

We received instructions on making the sketchbook and then one prompt a day for six days. (Some of the prompts were: botanical, the earth, all beings, and more.) Over the course of the week, I filled the pages with papers, printed text, and stitched threads. I was thankful for the new creative experience.

Front cover of Threads, a concertina book

When I began this project, I didn’t consider the idea of creating a visual connection from one page to the next. BUT, as soon as I began to construct page two, I found joy in the idea of a harmonious flow by using machine stitching and the same papers throughout. That’s when I got excited and engaged in the process.

I ended up adding a 7th page with it’s focus on Peace. Then the cover was completed on watercolor paper and sewn onto the front of the book. I love the way the threads look with all the pages hanging down when the book is closed.

First page of the 2nd concertina book, with a focus on Peace and Simplicity.

I was hooked on concertinas and began constructing a second. The last page of the first book became the jumping off point for the second book. Peace and Simplicity was the new theme, which seemed perfect for the times we are living in… and I decided to keep the color palette monochrome.

Our lives are so pared down now with a focus on the basics. It reminds me of camping. When we camp we have whatever we’ve brought with us and our needs and expectations are simple.

Simplicity in a single leaf. A page in the concertina Peace book.

I am grateful to have found joy and creative solace in the paper collage pages of these books. I’ve been collecting (and using) papers since high school with a large stash to choose from. So, they were readily available for this project.

During recent weeks, I could have focused on the uncomfortable feeling of being disconnected from my usual painting flow…. but instead, I found another method of creating, a new format to love, and each day in the studio became a new adventure.

To view all the pages of these books, along with videos, and to follow the progress of daily creative projects, visit my Instagram Page.

A tiny third concertina sketchbook.