My Painting Process - Part 2

Beginning stages…

I often begin a painting by covering the blank canvas with color. There’s so much freedom and joy in the feeling of a paint filled brush on the stretched canvas. It never gets old. There’s a wonderful ebb and flow to the dance between the brush and canvas, a give and take. Part of the fun is in placing dabs of multiple paint colors on the canvas and mixing them right there with the movement of the brush. The first coat of paint is pure play, with a definite awareness that anything placed on the canvas can be covered up, so at this point, nothing feels precious.

Another early stage of the process is in the construction of raw canvas pieces to fit the paintings concept or focus. This involves cutting, fraying, and stringifying them to size. But before I can do all that, I have to have a sense, and something of a vision, of the layout of the pieces within the whole. The prepared piece(s) help me to get moving forward on the painting and get a feel for the whole. They act as a place holder within the painting as it develops, but may not be the final piece(s) that end up in that particular painting. Many cloth pieces, created for one painting, have ended up in another, or on the pieces in waiting pile.

I love the beginning stages of a new painting… the flow and freedom of creating the first layer of color on the canvas, the feel of the cloth’s texture between my fingers, the pile of strings that develop as I pull the threads from the cloth to create the fringes. It could be thought of as the best part of the creative process, but for me, there are many best parts that take place as the painting’s process develops.

More to come. This is part 2 of a 4 part series.

Coming Soon… The Development Stage - Part 3

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Before I Begin - Part 1

My Painting Process - Part 1

I’m here to share my process in creating a painting. Although there can be similarities in the way other artists work, every artist has their own steps, details, and experiences in creating their very individual and original works of art. I’ve decided to share mine in a series of 4 blogposts, broken down into 4 stages, to be shared over the next several weeks. I’ll be focusing on the steps in developing a Canvas-on-Canvas painting.

This will be a general overview of the process, although one size doesn’t necessarily fit all of my paintings. I begin Part 1 of the series by describing what commonly takes place before I even begin a painting.

Before I Begin:

Before I put paint to canvas, I often get an idea… it could be a vision, a title, or concept of something that zings me. No matter what it is that jump starts the creative flow, I am sparked by a desire to express something I find meaningful. 

Often, once the concept begins to take up residence within my thoughts, I begin to get a feel for the colors to use in that painting. It’s not that I’m trying to come up with a palette, although that does happen occasionally. It’s more of a feeling sense of the colors that come to me. I guess it’s hard to explain how I might feel the colors but I do believe I feel them first and then get a subtle visual, as if I’m seeing the colors through a mist and from afar. However misty, there’s a sense of clarity on a specific color palette to begin with, and I am able to have the paints at the ready before I get to work.

There have been a few times in which I’ve used my collection of painted color swatches to choose the palette. Although I find it to be fun to play with the many choices, the process feels a bit clunky and awkward. The color flow ends up feeling a bit less natural.

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The Beginning Stage - Part 2

All About Books

I grew up loving books and loving to read. As a tiny tot, I thought the most amazing thing anyone could ever do was to be an author. Books were truly magical. And before I knew how many books there were in the world, my goal was to read them all. By the time I was 10, I wanted to write children’s books and even had an idea for my first book. Years later, I did finally write and illustrate a book for my niece when she was born.

So, books have been part of my DNA all my life and it’s no wonder that in 2016 I began creating paintings with books attached to the surface of the painted canvas.

Now, as I await the launch of the Creative LifeBook on Wednesday, I find myself reflecting on how I have somehow managed to experience the joy and delight of being involved in a handful of book projects through the years (even when my primary focus has been on painting). These have so satisfied my original and foundational desires. And as I reflect on all of this, I thought I would share my published book history:

Back in the 1990’s, I collaborated on the creation of the Lakota Sweat Lodge Card: Spiritual Teachings of the Sioux (card deck and book). This endeavor became a reality through the teachings of Archie Fire Lame Deer, the tenacity of Helene Sarkis, and the beautiful words of Ann Louise Goulene.

In 2012, I was inspired to produce and publish The Gratitude Habit: A 365 Day Journal and Workbook. For several years, The Gratitude Habit had lots of success on Amazon and it even spent some time on the top 100 list of books in Happiness.

So, in 2015, I followed that up by creating and publishing Parenting The Gratitude Habit: a journal and resource for fostering gratitude in your heart, home, and family. And recently, I found my notes for a third book in the series, which I was too busy painting to complete.

Now, it’s 2023, and I am so grateful to have stumbled into an amazing book project with an impressive and supportive community on the Creative LifeBook. I so appreciate Jessica Hughes vision for this book and her remarkable ability to make this collaborative effort a reality.

NOTE: The Creative Lifebook became an Amazon bestseller in 23 categories and in 5 countries shortly after it launched. It is now available in Kindle and in paperback editions. Soon to be out in hardcover as well.

Threads in Art

I love to use threads in my artwork, to have them appear as lines of stitching on cloth, and to watch them hang down below the defined border of a canvas. I love when they become another element in a painting as a jumble of tangled strings or simply provide texture on the surface below a layer of paint.

One of my friends on Instagram asked me the following question… Do the threads have meaning for me, do they represent something or symbolize something?

This is my answer… I am so attracted to the look and movement of threads, the way they meander and flow. For me, their meaning shifts depending on the specific piece of artwork.

In general, at the core, they are the threads of our connection to one another, to all life on the planet - past, present, and future, and to the Divine. They are the threads of a prayer shawl and those in the tapestry of life. They are the link that bind us to our collective history, to the pictographs and cave paintings, to the philosophers of ancient Greece and the builders of the pyramids. They are our heart connections and the very threads that pull at our heart strings.

And like the magnificent underground network of mycelium that enables communication between plant life, threads represent the unseen connections between all living things.

New Beginnings

“Opening to the Next Chapter” 18” x 18” Acrylic Mixed Media on Canvas

New Year, New Beginnings

I recently completed a painting for the New Beginnings show at Pajaro Valley Arts. I not only want to share images of the painting and it’s parts, but I’m also here to share the words that have been incorporated into the painting. The concept, words, and construction were all created in tandem. 

When I first heard about the show’s theme, I immediately wanted to incorporate a book into the painting I would create. That’s when I began to ponder the concept that as a new year begins, we are just starting to write the next chapter of our lives. The painting is titled, “Opening to the Next Chapter” and it is built with a cloth folded open to reveal the place to begin writing that new chapter.

As I began to develop the canvas and the pieces that would become part of the whole, I wrote. I wanted to clarify and understand the concept that I was building the painting around. And in the end, I included quite a bit of text into the work… much of it hidden under paint or cloth. I thought I would share some of it here along with images of the whole and it’s parts. 

These are the words that can be found under the piece of cloth on the left side of the painting: 

This is your past. You know what it holds. It no longer exists except for the place you choose to give it in your mind, in your memories. And you may add layers to it from a new perspective, from a different vantage point. You may try to hold onto some of the past with a firm grip while letting others fade away. As you stand in your now, with the new pages before you, can a firm grip on the past impede your ability to write your new chapter? Your new chapter begins today. What lies ahead?

Here are some details images of “Opening to the Next Chapter”

And if you are in the area, visit the show. It is filled with fabulous and fascinating pieces of art from local artists.

Pajaro Valley Arts Annual Membership Show
NEW BEGINNINGS - Exhibit dates: Jan. 18 – Feb. 26, 2023

Opening Reception: Sunday, January 22, 2023
from 2:00PM – 4:00PM

Location: 37 Sudden Street, Watsonville, CA
Gallery Hours: 11.00AM – 4:00PM
Open: Wednesday – Sunday

MASKS ENCOURAGED

Santa Cruz Love Note

“Santa Cruz Love Note" 18" x 18" Acrylic, cloth, papers, strings, and threads on canvas.

“Santa cruz love note” is currently hanging in a Local show.

Here are the details:

Exhibit: Local Visions
at: Pajaro valley arts
(pvarts.org)

When: Now until July 31, 2022

Opening reception:
Sunday, June 26
From 2PM - 4PM

"Santa Cruz Love Note” in process

I created “Santa Cruz Love Note” specifically for the Local Visions show at Pajaro Valley Arts, a membership exhibit. We were told to have fun with the theme and that’s exactly what I did. I filled the painting and layers of raw canvas with the many things I love about living here in Santa Cruz. And I could have added even more. In the lower right hand corner of the painting, I’ve attached something of a love note about the area. These words are somewhat visible under the paint.

Pajaro Valley Arts

For those of you who are unfamiliar with Santa Cruz, it’s a happy place, surrounded by natural beauty. There’s plenty to love about Santa Cruz County… with the magnificent redwoods, the hiking trails, the forests, the coast, the beaches, the arts, the people, the culture, the beauty, and so much more. Since I began developing this painting, my appreciation for the area has continues to grow.

Gallery Information:
37 Sudden Street, Watsonville, CA
Gallery Hours: 11.00am – 4:00pm
Wednesday-Sunday
Masks Encouraged

Here are some details of the completed painting:

Connection and Disconnection

Threads of Connection and Illusion of Disconnection are two of my recent paintings. They are currently hanging in the tri-gallery “This is Now’ show at Curated by the Sea, in downtown Santa Cruz. The show is being held in partnership with Arts Council Santa Cruz, and showcasing the artists of the Visual Arts Network. It focuses on works created within the past two years that relate to current issues in our world.

First Friday reception April 1st, 6 pm - 8 pm
with live jazz music

About the Paintings: Although we think of ourselves as individuals, separate from one another, we are all connected through an intricate web of energetic threads. We are like single cells that come together to form the whole organism. Our actions, reactions, thoughts, and beliefs are not isolated within our small piece of the world but emanate out in unseen ripples to all. This was never more apparent to me than at the beginning of the pandemic when the worries and concerns of the collective unconscious seemed to be present in air. Meanwhile, in recent years we’ve seen an increase in a mentality of separation, an exaggeration of our differences, and an avoidance of finding common ground.

“Threads of Connection”

So, as soon as I heard the theme for This is Now, I wanted to create a pair of paintings around the concept of our connection to one another and the illusion of separateness we experience.“Threads of Connection” and “Illusion of Disconnection” were painted in tandem, stepping them through the process of development together, side by side. 

“Illusion of Disconnection”

In “Threads of Connection,” the cloth cut-outs on the top layer have been connected like a web, with each of the holes tied to all of its adjacent cut-outs. There are two quotes that reference our connections. One is by Martin Luther King and the second is from Mitch Albom.

With “Illusion of Disconnection,” the cut-out squares from the upper layers of painted cloth seem to hang in their separate spaces yet they are still connected, by the red threads, to the whole. I’ve placed the words of Albert Einstein in the painting, present but barely seen under the paint.

Show will be closing on
Saturday, April 9th.

Curated by the Sea:
Address: 703 Front Street, Santa Cruz
Hours: Thursday through Saturday noon - 4 pm

Series of Transition

“Release” 8” x 10” acrylic mixed media on canvas

I’ve begun a series of small paintings that seem to be a bridge between where I’ve been and where I’m headed. As a group, they’ve become transition pieces, with each painting carrying me closer to where I want to be. My creative explorations of the past couple of years have introduced me to a wide range of artistic experiences. Now it’s time to return to the work I feel most connected to.

“Cycles” 8” x 10” acrylic mixed media on canvas

The Inspiration: I’ve been reading the Artist’s Rule, a book that combines an internal exploration of monastic practices and art practice. With each chapter, I’ve designated a concept, with one word for what’s coming up for me on those pages. Then I create a small painting in response. So far I’ve completed 6 chapters of the 12, with the idea of devoting one week to the concept, artwork, writings, and reflections on each chapter. I’m getting so much out of this experience and the creation of the series has become a journey in itself.

Since these paintings came to life as a tangent of the prior series of Elements, they will join that series as something of a larger body of work. My recent paintings have elements of this past year’s experiences and some of the old is beginning to show up.

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My Artist’s Path: in Words and On Canvas
Inspired by Concertina Sketchbook Pages

“Now” 8” x 10” acrylic mixed media on canvas

“Essence” 8” x 10” acrylic mixed media on canvas

My Artist's Path: in Words and on Canvas

“Path” 8” x 10”. Acrylic, papers, cloth, pencil, gesso on canvas

This three stanza poem and the concepts behind the words were the inspiration for the painting I share here. “Path” is the fourth in a group of small works inspired by one of the chapters in the book, Artist’s Rule by Christine Valters Paintner. After reading a chapter, I focus on a specific concept, designate a single word to associate with it, and then create a painting with that focus in mind. This canvas was created to reflect something of the give and take during the creative process; between myself, the creation, and in collaboration with the Divine whispers. It becomes a beautiful dance.

Although I usually incorporate the words of others in my paintings, I’ve chosen to include a quote of my own words in this one. The handwritten words of the first stanza of this poem are barely seen within the painting. Here is the full poem:

“Path” a detail closeup

“There is a beautiful dance
Between the creative spark and the creation
Listening to the messages and direction
This is my artist’s path

Between the creative spark and the creation
Myself as an ongoing work in progress
This is my artist’s path
Becoming an active and visual process in creating me

Myself as an ongoing work in progress
Listening to the messages and direction
Becoming an active and visual process in creating me
There is a beautiful dance”

“Path” a detail closeup

“Path” a detail closeup of texture

You may also be interested in: Series of Transition
Inspired by Concertina Sketchbook Pages

Inspired by Concertina Sketchbook Pages

When I completed the Concertina Sketchbook project, my head was filled with ideas for two new painting series that delighted my heart. I expected to dive right into the new work. Instead, I continued to play with the images that came together on the pages of that concertina. In the past couple of months, my focus has been on inviting inspiration from that sketchbook before moving forward into the new projects. My intention was to gain greater comfort and flow with the concertina processes in order to combine my old methods with the new.

First, I played with similar materials and techniques on paper and completed four studies. I chose a few of the sketchbook pages for reference and began laying down similar marks, elements, and collage pieces, followed by paint.

2nd of four works on paper

3rd of four works on paper

4th of four works on paper

“Renewal” Acrylic, paper, pencils, and cloth on canvas. 11” x 14”

Then I moved onto canvas and began a small series of paintings, called Elements, to explore similar marks, shapes, and materials. Currently, four have been completed with the 5th in process. I’m not sure how much further I will take this series since I haven’t made a real commitment to it. I’m just taking one step at a time.

I’m thrilled to be working on canvas once again (after spending so much time on the sketchbook and the above works on paper).

Sometime soon, I will move on to play with the larger body of work that’s been waiting in the wings. It’s been waking me up each morning with images and ideas. But at the moment, I’m willing to see what develops from here.

“Dichotomy” Acrylic, ink, paper, pencils, and cloth on canvas. 11” x 14”

“Levels” Acrylic, ink, paper, pencils, and cloth on canvas. 11” x 14”

“Synchronicity” Acrylic, ink, paper, pencils, and cloth on canvas. 11” x 14”

You may also be interested in: Series of Transition

A Process Story

“Ennobled” 12” x 12” acrylic, papers, pencil on canvas

The experience of working on “Ennobled,” the 5th canvas in the Portals of Joy series, was a bit like maneuvering a boulder up an incline. All the while, I was able to experience these challenges with confidence and determination. It became an excellent exercise in creating and recreating, making changes, letting go and moving on.

“Ennobled” in process; initial color palette

I began the painting with a color palette that I found attractive but, it just wasn’t quite me. Once on the canvas it seemed goofy, like a Halloween candy wrapper. So I kept altering colors, one at a time, and adding textured papers to cover up some of the colors and create new ones. I found the process enjoyable, without frustration. I was able to draw on my confidence that each alteration would bring me closer to feeling as if I had made it my own. What a time consuming process it was! If I hadn’t been as focused on the unfolding experience of the process, I would not have been able to remain in the joy of creating.

“Ennobled” in process; at the start

Occasionally, a painting doesn’t flow as smoothly. Each time I find myself in that space, I have the gift of letting go and immersing myself in the painting process. I allow it to take as long as it takes, with no expectations and the willingness to continue to apply layer over layer, repainting areas one moment at a time. And with each alteration, I come closer to an image that will look back at me and say, “Ahhh… this is it.”

“Integral Flow” 12” x 12” acrylic, papers, pencil on canvas

Once I had completed “Ennobled", I shifted my focus to the newly started 6th painting in the Portals of Joy series, titled “Integral Flow.” The experience of painting this one was nothing like the last one. The process flowed easily from beginning to end. Of course, I chose a color palette I was comfortable with from the start. And maybe that attributed to the feeling of lightness that surrounded the painting process.

I experienced joy as I created both of these two paintings but that experience was so very different… neither better than the other. And I am grateful for the wonderful diversity of both.

You may be interested in a recent post: New Series: Portals of Joy

Working in a Series

I love to work in a series, to watch an idea or concept develop from one painting to the next as I explore the variations on a theme. It gives me a creative focus in which to grow my artwork and myself.

Not only do I find a theme to develop throughout the series, but I begin with a framework or recipe of elements that becomes the foundation for each of the pieces. As a series evolves, an organic process unfolds, with each painting being a stepping stone to the next as I explore new ways of expressing the blueprint they have in common.

Ancient Wisdom Minis - in process

The chosen focus needs to be something I want to immerse myself in and wish to elevate. In the Transcriptions series, it was ancient books and prayers. The Ancient Wisdom Minis, highlighted the words of Kabir, poet and mystic. The Windowframes series was a reflection of the beauty in aging. And now, the Portals of Joy series allows me to spend my days focused on shape and color as I elevate joy in a world that could use more joyful expressions.

2020 Reframed

“2020 Reframed" 24" x 24" Acrylic, cloth, papers, strings, and threads on canvas.

“2020 Reframed” has been accepted into the MAH’s upcoming exhibit.

Exhibit: In These Uncertain Times
at the Santa Cruz Museum of Art and History (MAH)
beginning on January 15, 2021

2020 is no ordinary year… filled with layers of challenges and unlike any we’ve experienced. Early in the year, I started to notice an unusual presence of RE-WORDS showing up in my life and in the world around me. I am referring to an abundance of words beginning with the letters RE. (Retreat, rediscover, recreate, reinvent, recover...) It’s been a year in which we’ve all had reasons to RE-vise our plans, RE-assess our priorities, and RE-define our lives. We have waited for businesses to RE-open and wondered if and when we might RE-turn to “normal.”

"2020 Reframed” in process

Back in May, I created a RE-WORDS concertina sketchbook, an eight page book built to highlight these words. Once it was completed, I felt a strong need to continue working on this project, but in a larger format. So I printed my collection of re-words in different fonts and sizes and began constructing a painting. “2020 Reframed” is loaded with words appearing on layers and strips of raw canvas. The prepared layers have been stitched together and are sewn onto a 24” x 24” stretched canvas. The loose threads and textures further represent a time in which our personal and societal threads have been laid bare.

Here are some details of the completed painting:

AND not long after the completion of this painting, a new word emerged: RE-population. It’s used when fire evacuees are returned to their homes. (Luckier than many, we are very thankful to have had a home to return to.)

Re-Words Concertina

Re-Word Concertina Sketchbook

Here’s a look at my recently completed RE-WORDS concertina sketchbook, produced on canvas. This book is centered around the theme of RE-Words. Early in the year, my 2020 seemed to be one of redo, rework, recreate, and recover. As 2020 has developed into a year like no other, more and more words keep showing up. (reopen, reconnect, retreat, revise, restart)

Pages 1 & 2 of Re-Word Concertina

In creating this book, I had a few objectives in mind: to create two page spreads rather than individual pages, to combine circular elements with linear shapes, and to spread the RE-WORDS throughout. And most importantly, to create a concertina sketchbook on raw canvas with textures, threads, and frayed edges. (I’ve used cloth, papers, ink, acrylic, with threads and text on raw canvas for this book.)

Pages 3 & 4 of Re-Word Concertina

The process of working on the book became an interesting journey and a means of processing all that was happening out in the world, as I sheltered in place in my studio.

During 2020:

• I’ve had to REVISE my plans for the year.

• I’m REASSESSING everything.

• I’ve spent time RECREATING work from the past.

• I’m RECOVERING from the losses experienced in the past year.

• I am RE-IMAGINING what life may be like moving forward.

• I’ve been REDIRECTING my creative energies and focus.

• I’m REMAKING my life under new circumstances.

• I can’t help but REFLECT on where I’ve been in the past few months, the state of the world now, and how it compares to different times, in different ages.

• I question what of the past is best to let go of and what we will be able to RECLAIM in the future.

• I’m REALIZING that this book will not satisfy my need to explore these words. I’ve already begun working on a Re-Words painting.

• I wonder what the effects will be once businesses REOPEN.

• What will the tapestry of life look like once we RE-THREAD it?

• How soon will I be comfortable to really RECONNECT with friends and family?

• RESTART is the first word appearing on page one and the last word on the final page of the book. Each day and each project becomes a RESTART.

• As I look towards the future and the path forward, after these days of sheltered in place, we will need to REBOOT our lives, RESTORE what is possible and what makes sense, and REBOUND as best as we can... hopefully, in a kind, compassionate, and healthy way.

Pages 5 & 6 of Re-Word Concertina

A concertina book can become a mini series of pieces, all connected as one attached progression. And I love working in a series and I’ve loved working on this book. I can definitely see myself doing more books in the future, on raw canvas. This is where I’m at home... with the textures, threads, and the frayed edges of the canvas.

I’m sure most of you have had your own 2020 reasons to revise, reassess, reflect, etc. I wish you health and safety and the ability to experience the future as a fresh and positive RESTART.

Pages 7 & 8 of Re-Word Concertina

Above I’ve shown them as the two page spreads… And here they are as individual pages, the cover and all 8 pages:

Hearts in the Art

“Love Sound” 6” x 6” mixed media on canvas. (Available through the Hearts for the Arts fundraiser.)

“Love Sound” in process.

As young children, we are introduced to the shape of the heart. It is recognized throughout the world as a symbol for love. I’m not normally one who paints hearts or adds the heart shape in my artwork. But… somehow, in the past couple of months I have produced two paintings with cloth hearts sewn into the design. Now that Valentine’s Day is only days away, I thought I would share them here.

Both paintings are part of the series of Ancient Wisdom Minis, designed around a quote from Kabir that includes a heart reference. (Kabir was a 15th century poet and mystic.) The canvases in the series are small (6” x 6”) acrylic paintings featuring words of wisdom from the past. The first step in the process is to cut, fray, and prepare the raw canvas that will create texture and form the focal point for the painting.

“Lift the Veil” 6” x 6” mixed media on canvas. SOLD

“Love Sound” is currently part of the Hearts for the Arts fundraiser being held at Artisans Gallery, in downtown Santa Cruz (details below). It displays the following quote: “The flute of the infinite is played without ceasing, and it’s sound is love.” ~Kabir.

“Lift the Veil” features these words: “Lift the veil that obscures the heart, and there you will find what you are looking for.” ~Kabir

The 2020 Hearts for the Arts fundraiser benefits the Santa Cruz Arts Council’s arts education programs (SPECTRA and Mariposa Arts). The donated works are currently on display at Artisans as part of a silent auction for the first 13 days in February (bidding begins on February 1st and closes on February 13th).

For those in the area: The auction will be part of the First Friday Art Tour on February 7th and the Arts Council will host an Artists’ Reception from 3-5 on Sunday, February 9th.

I plan to be there on Sunday. Maybe I’ll see you there!!

Painting Doesn’t Take a Holiday

"Effervescence" 20" x 20" acrylic mixed media on canvas.

Tomorrow is the first day of February and I am spending time today, reflecting on the experience of painting during Thanksgiving week. Somehow I managed to shop, cook, entertain, and still complete a painting while also preparing for a studio show just one week later. On that Wednesday, the day before Thanksgiving Day, I was busy in the kitchen preparing food for a small family feast. But while the veggies were sauteing and in between cooking the various dishes, I was in the studio adding paint to my latest creation. I managed to embed studio time in a day focused on cooking. By the end of the day, I felt nearer to actually being able to complete the painting I had begun more than a year before. Then, while other people spent Black Friday shopping, I was able to work on and finish up that painting.

"Effervescence" in process. Sewing the painted cloth onto the stretched canvas.

“Effervescence” was inspired by a vision I had of the mist created when opening up a bottle of carbonated water. Each mist particle represented one of us and we were all connected in this sea of bubbles, swirling around one another, playing our role in the whole of our shared existence. We were one, together, rather than individuals, separate from the whole.

I began working on “Effervescence” in the fall of 2018, almost immediately after the concept took shape in my mind. But soon after I painted the two cloth layers, I put it aside with too many ideas on how it might be developed. Over a year later, a friend encouraged me to return to the painting. And I’m so glad she did. It was only then that I had the idea for the background to mimic the cutouts in the top cloth. So I got busy cutting holes in paper before adhering the paper to the back canvas. That’s when I was finally able to move the painting forward towards completion.

"Effervescence" in process after adding the cut paper to the stretched canvas background.

I added the finishing touches with a quote from Johann Wolfgang von Goethe... "In nature we never see anything isolated, but everything in connection with something else which is before it, beside it, under it, and over it."

“Effervescence” and I took a journey together and I embrace the bond developed in the process. A relationship is created between the artist and his/her creation. When I’m working on a painting, it’s as if a dialog develops between us, with the painting sharing its needs, making suggestions, providing guidance. All I have to do is be open to listening. We spend time in the studio together. It’s a shared experience. And when a painting takes longer to complete, the opportunity is there to create a closer bond, just as in any relationship. “Effervescence” was signed and wired in time for the studio show and it was one of the first to be sold.

And…I have to just add: For an artist, any day is a day to create, whether it’s a weekend, vacation day, or even the week of a major holiday.

Breath and Beyond

“Breath and Beyond” 12" x 12" acrylic, cloth, threads, and paper on canvas.

“Breath and Beyond” was the first painting I worked on and completed after returning from packing up my parent’s home. (We were getting it ready for sale.) Although I returned with several new projects in mind, I decided to get busy with the raw canvas I had prepared before leaving. My first goal was to create a thread filled environment in which to paint.

“Breath and Beyond” in process.

I began by sewing lines of stitches in something of a checkerboard pattern, leaving loose threads at the ends of each line. I had already cut five squares into the cloth before the trip.

“Breath and Beyond” didn’t develop as I had originally envisioned. So, I let go, allowing the process to lead me, and I was able to enjoy every step along the way.

I kept adding color, then some text, and then more color. The background canvas became a deep brownish mauve to peek through the openings in the cloth.

The text in the painting is the mantra, So Hum, meaning: "I Am That." It is used in meditation as one focuses on their breath.

“Breath and Beyond” in process.

I always have a title in mind by the time a painting is complete… but not this time. The painting had journeyed so far from the original idea and I felt like I was just along for the ride, not knowing where we were going. I had to brainstorm ideas for a name.

When the title, “Breath and Beyond” came to mind, I knew it was right. I could see how the painted cloth had become a tapestry OR a tapestry of life. I had chosen a mantra that represents the breath OR breath of life. And the cutouts had become windows to the beyond.

Breath and Beyond is available for purchase, here.

“Breath and Beyond” in process. Sewing the painted cloth to the back canvas.

Small Bites

Small Bites 12" x 12" acrylic and cloth on canvas.

A dream became the inspiration for Small Bites… an original painting that is now part of my Canvas on Canvas series. First I prepared the piece of raw canvas by fraying the edges and cutting out holes in the cloth. I attached it to the stretched canvas and then it was time to take out the acrylics and brushes and choose some colors.

Small Bites in process. Choosing the color palette.

Choosing the color palette:

I only had a vague idea of the colors I would use. So, I began with one of my favorite starter color palettes: yellow oxide, titanium white, and Payne’s grey. (Oh, but since I have very little Payne's grey around, I'm using ivory black.) I love the way these colors mix together!

Now I had to choose the rest of the colors. I have a small collection of color cards that I’ve created and add to from time to time. I find it very helpful in choosing a color palette when I don't have one immediately in mind. I went back and forth on different color ideas for this one.

It took me a while to get comfortable with the reds I had chosen, but I really like the idea of stretching my “color comfort zone.” And by the time I was finished, I had grown much more comfortable with the reds in this color palette. (0f course, I did soften the intensity of the color, somewhat.)

Small Bites is available for purchase, here.

Twas Brillig

“Twas Brillig” 24” x 30” Acrylic, canvas cloth, and paper on canvas.

Detail image of “Twas Brillig”

Painting brings me joy. I love my time in the studio and the relationship I develop with each of my creations… but once and awhile I create something that significantly increases the joy. “Twas Brillig” did just that. It turned up the “Joy Meter” and I was in no rush to complete it. I found myself savoring every moment I spent playing with this canvas.

For years I have wanted to create a painting with a focus on Lewis Carroll’s, Jabberwocky. I have loved it since high school. In fact, in one of my art classes back then, we had to illustrate a children’s book for a painting and drawing class. I chose to illustrate The Jabberwocky. (Thank you, Mr. Foo)

Closeup of the attached book on “Twas Brillig”

I so enjoyed playing with the text of the poem as I incorporated Carroll’s unique and wonderful words into the constructed cloth book. I took my time developing the background of the stretched canvas that became the setting for the “book.” This one gave me an opportunity to explore with color and structure.

Detail image of “Twas Brillig”

My original goal was to, in some way, allow the words of Lewis Carroll to spill from the book, as if the boundaries of the books could not contain it. I would love to do more canvases like this one. Playing with text as it pours from the painting surface. These are the types of images that keep coming up in my mind, calling to be created.

I enjoyed every moment I spent on this painting. And I can’t help but wonder if this one may be something of a bridge between the work that has come before and the artwork I will be creating, moving forward. I definitely approached the painting process differently than I might have in the past… and that had been my goal.

Here are the words of the first and last stanzas of the poem for those of you unfamiliar with Jabberwocky, by Lewis Carroll and for those who would enjoy a reread:

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.”

Twas Brillig is available for purchase, here.

Above and Below

“Above and Below” 12” x 12” Acrylic and canvas cloth on canvas.

After a couple of months away from the studio, it was so good to hold a paintbrush in my hands again. To get back into the flow, I chose to play with a work in progress I had begun awhile ago. It had been waiting for months for me to return to complete it. Back then, I had cut a piece of raw canvas cloth and gessoed it onto a 12" x 12" canvas. The cutouts were inspired by Georgia O'Keefe's clouds.

This was the perfect project for my return and I so enjoyed the process. I didn’t care how it turned out. All that mattered was the delight of being busy in the studio.

“Above and Below” in progress.

Originally, I had a whole different color palette in mind when I first attached the cut cloth to the canvas, months ago. But now is a different time and place. So, the process of painting this one took me on an unexpected path. I like watching as paintings unfold before me. And I'm delighted to be back in process.

Inspired by: Georgia O'Keefe's, "Sky Above the Clouds"

Above and Below is available for purchase, here.